"The Terrain is used as a dump. Smashed lorries. Old boilers. Broken washing machines. Rotary lawn mowers. Refrigerators which don't make cold any more. Wash basins which are cracked. There are also bushes and small trees and tough flowers like pheasant's-eye and viper's-grass." In John Berger's powerful novel King, the Terrain is also home to a small community of the dispossessed. Here, a stone's throw from a highway somewhere in France, in shelters constructed out of detritus, live Jack and Marcello, old Corinna and Liberto, Joachim and Anna, and Danny and Saul. Here also live Vica and Vico, an elderly couple (and couples are a rarity among the homeless) and their dog, King. It is King who narrates this day-in-the-life narrative, and Berger has endowed him with the ability to understand and be understood: "Lying beside the chestnut brazier, something came to me between the ears: the world is so bad, God has to exist. I asked Vico what he thought. 'Most people,' he said quickly, 'would draw the opposite conclusion.'" What makes King such a singular creation is that despite his philosophical bent and communicative skills, there is nothing anthropomorphic about him. He thinks, behaves, and reacts like a dog, albeit a dog who ponders the existence of the Almighty. Animals are not sentimental, and neither is Berger. His human characters are irrevocably damaged, their lives verge on the unbearable, and their attempts to create family and community at the edges of society are eventually thwarted. There can be no happy ending to this street story, but Berger is after something bigger than making his readers feel good. Instead he shines a spotlight on a world we would prefer to ignore, using the love that Vica, Vico, and King feel for each other to illuminate a humanity that is all too often overlooked. King is not an easy book to read, but it is impossible to forget. --Alix Wilber
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