|
|
|
|
|
| |
| Appointment in Samarra
| | John O'Hara
| O’Hara did for fictional Gibbsville, Pennsylvania, what Faulkner did for Yoknapatawpha County, Mississippi: surveyed its social life and drew its psychic outlines. But he did it in utterly worldly terms, without Faulkner’s taste for mythic inference or the basso profundo of his prose. Julian English is a man who squanders what fate gave him. He lives on the right side of the tracks, with a country club membership and a wife who loves him. His decline and fall, over the course of just 72 hours around Christmas, is a matter of too much spending, too much liquor and a couple of reckless gestures. (Now Julian, don’t throw that drink in the well-connected Irishman’s face. Don’t make that pass at the gangster’s mistress.) That his calamity is petty and preventable only makes it more powerful. In Faulkner the tragedies all seem to be taking place on Olympus, even when they’re happening among the lowlifes. In O’Hara they could be happening to you.
|
|
|
|
